The 2000/01 season saw Barcelona adopt a retro style at home.
The 2000/01 season saw Roma return to their traditional home style.
The 2001 season saw the return of the traditional style at the Colombian home stadium.
The 2001/02 season at Paris’s home stadium
The 2001/02 season saw Bayern return to their traditional home style of play.
The 2001/02 season saw Celta play in black away kits.
The 2002/03 season at Real Madrid’s home ground
The 2003/05 season – Colombia’s homecoming revival
The 2004/05 season at Paris’s home stadium
The 2005/06 season’s home game of the Champions League for Barcelona
The 2006/07 season – away game in white color
The 2006/07 season at home in Japan
The 2006/076 season at Arsenal’s home ground
The 2007/08 season at Real Madrid’s home stadium
The 2007/08 season saw Bayern return to their traditional home style.
The 2008 season at the German home stadium
The 2008/09 season at AC’s home ground
The 2008/09 season at Barcelona’s home stadium
The 2008/10 season – Arsenal’s home games
The 2010/11 season at the home stadium of AC Milan
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.